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Performer, editor e curador da plataforma digital performingborders. A sua prática artística, na sua essência multidisciplinar, explora relações entre herança pessoal e políticas de identidade, o pessoal e o comunitário, e sistemas sócio-políticos. Através da performance, edição e investigação, explora as nuances entre a experiência ao vivo, o corpo e o arbítrio do público no desenvolvimento de narrativas comuns. Recentemente tem-se dedicado ao desenvolvimento do projecto Live Art Writers Network, que visa desenvolver novas linguagens e métodos de criação multidimensional, entrelaçando práticas de performance, edição e publicação híbrida. O projeto, na sua essência colectivo e de acompanhamento de artes performativas, cria laços de relação e proximidade entre participantes, coprodução e publicação de comissões de escrita experimental, crítica e reflexiva em diálogo com a performance e live art.
Performances incluem Encruzilhada (Cultura em Expansão, 2024), What Becomes… (METAL, 2024), Slow Cooking (Theatre in the Mill, 2024), Pós- (Teatro do Bairro Alto, 2021), REGNANT (HOME, 2021) POST (Battersea Arts Centre, 2017-2021 tour internacional) e Almost Xav (Southbank Centre, 2015). Publicado vários textos criativos, reflexivos e de investigação em publicações como a METAL, a Penguin, os Les Cahiers Luxembourgeois e o Centre national de littérature - Lëtzebuerger Literaturarchiv. Desde 2021 é editor e publicador do e-Journal do performingborders, através do qual se tem dedicado a interseções entre práticas de publicação DIY, digital e performativas. Formou-se no mestrado de Theatre & Performance, Queen Mary University e colaborou com Dori Nigro, Aura, Tino Sehgal, Rosana Cade, Tim Etchells, Fado Bicha e Puta da Silva, apresentando espetáculos com Teatro do Bairro Alto, Festival Citemor, National Theatre London, Barbican (RU), Onassis Culture Centre (Greece), ITT Gandinagar (India), entre outros.
Performer, editor and curator of the digital platform performingborders. At its core multidisciplinary, his artistic practice explores relationships between personal heritage and identity politics, the personal and the communal, and socio-political systems. Through performance, editing and research, he investigates the nuances between live experience, the body and audience agency in the development of shared narratives.
More recently, he has focused on developing the Live Art Writers Network, a project that seeks to develop new languages and methods of multidimensional creation by interweaving performance, editing and hybrid publishing practices. Collective at its core and centred on engaging with the performing arts, the project creates relationships and proximity between participants through the co-production and publication of experimental, critical and reflective writing commissions in dialogue with performance and live art.
His performances include Encruzilhada (Cultura em Expansão, 2024), What Becomes… (METAL, 2024), Slow Cooking (Theatre in the Mill, 2024), Pós- (Teatro do Bairro Alto, 2021), REGNANT (HOME, 2021), POST (Battersea Arts Centre, 2017–2021, international tour) and Almost Xav (Southbank Centre, 2015).
He has published creative, reflective and research-based writing with organisations and publications including METAL, Penguin, Les Cahiers Luxembourgeois and the Centre national de littérature – Lëtzebuerger Literaturarchiv. Since 2021, he has been editor and publisher of the performingborders e-Journal, through which he has explored intersections between DIY, digital and performative publishing practices.
He holds an MA in Theatre & Performance from Queen Mary University and has collaborated with Dori Nigro, Aura, Tino Sehgal, Rosana Cade, Tim Etchells, Fado Bicha and Puta da Silva. His work has been presented at venues and festivals including Teatro do Bairro Alto, Festival Citemor, the National Theatre in London, the Barbican (UK), Onassis Culture Centre (Greece) and IIT Gandhinagar (India), among others.